Feta Tamberg Art White Noise The sound is not actually a color. The “white” simply describes the fact that this particular sound is a combination of every frequency. That’s why, deep in the soundscape playlists of the Internet, there are sounds called “brown” or “pink” or even “blue.” Those sounds are not “white noise” because …
Ross Mathews Spaces Between Imagination This special issue originates from an international workshop on “Vico and imagination,” that took place at Aalborg University in 2014, within a research project on Giambattista Vico and the epistemology of psychology. Imagination has inexplicably been relegated to the background in contemporary psychology.
Ganz Romero Paintings Subvert His paintings subvert the traditional genre of portraiture by approaching the subject with the sentiment of an Iconoclast. Yet his intention is to “rebuild” the image rather than destroy it. I take advantage of the cyclical nature of history and its unfailing tendency to repeat itself.
Victor Frozen Upcoming Emotions Explore artists and works back to 2005 in the annual exhibition of outstanding student artworks, developed for the HSC examination in Visual Arts in NSW. Art is a diverse range of human activities in creating visual, auditory or performing artifacts.
Jenny Saville Stanley Kubrick Collection Stanley Kubrick was an American film director, screenwriter, and producer. He is frequently cited as one of the greatest and most influential directors in cinematic history. An early critical test of Kubrick’s obsession with control on the set came during the making of Paths of Glory.
Jenny Saville Lightwork One word to describe Saville’s work is carnal. And some of her most affecting works are the self-portraits of her with her young children. The paintings affect us because we relate so deeply to them. They depict the most basic shared human experience.
Jenny Saville Experience British artist Jenny Saville became famous for paintings that render female flesh on a monumental scale. Her canvases, often larger than 6 by 6 feet, magnify the raw details of embodied experience: large, drooping breasts; pregnant bellies and flab; faces smashed against plexiglass, a figure sitting on the toilet.
Umberto Boccioni Sunrise in the Fields That the sun will rise: this is the most predictable thing we know on Earth. The timings, angles and degrees of its course have an utter precision and the sun, unlike humans, cannot misfit its time or place as it runs in unswerving service to the offices of its …
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